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(Xinhua/Jigme Dorje)

Lhasa, 9 jun (Xinhua) -- Pesquisadores multinacionais estão fazendo um projeto de perfuração milimétricas para o início do conjunto 📈 no Nam Co. lago da água salgada mais alto mundo na Região Autônoma dos Países Para a China e 📈 não faz fronteira com os países bonus brazino777 codigo promocional desenvolvimento

A equipa de exposição científica conjunta é composta por uma equipe para pesquisa 📈 do estado ambiental e dos lagos da Universidade Alemã, Instituto De Pesquisa Do Plano Qinghai-Xizang subordinado à Academia Chinesa of 📈 Ciências.

Nam Co, localizado no plano Qinghai-Xizang com uma elevação da superficie do lago de 4.718 metros é o segundo maior 📈 lago e um importante base para pesquisa científica.

A educação ao lago concretizada no Nam Co é um projeto do Programa 📈 Internacional de Perfurações Científicas Continenteis (ICDP, na sigla bonus brazino777 codigo promocional inglês).

A equipa plana perfurar quase 1.000 metros de núcleo do lago 📈 bonus brazino777 codigo promocional três pontos no Nam Co. Át agora, é o projeto da perfuração ICDP na maior altitude ao longo ou 📈 mundo e disse Wang Junbo um dos líderes para equipamento pela expedição científica (em inglês).

"A plataforma de perfuração, o equipamento 📈 e os princípios técnicos da furação são todos na China", acrescentou Wang.

(Xinhua/Jigme Dorje)

(Xinhua/Jigme Dorje)

(Xinhua/Jigme Dorje)

(Xinhua/Jigme Dorje)

(Xinhua/Jigme Dorje)

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    Brazilian magazine

    O Cruzeiro (initially just Cruzeiro) was a Brazilian illustrated

    weekly magazine, published in Rio de Janeiro from 1928 until 🌛 1985, with the exception

    of the period from August 1975 to June 1977.

    History and profile [ edit ]

    The

    publication, subtitled 🌛 Revista Semanal Illustrada, was originally named just Cruzeiro,

    after the constellation of the Southern Cross (Cruzeiro do Sul).[1][2] The first

    🌛 edition was released with 70 pages on 10 November 1928, and was published by Empresa

    Grafico Cruzeiro S.A. of Dr. 🌛 José Mariano Filho in 152 Rua Buenos Aires. In June 1929,

    by issue number 30, the magazine changed its name 🌛 to O Cruzeiro.[3] It was owned by the

    media conglomerate Diários Associados owned by Assis Chateaubriand.[4] The director was

    Carlos 🌛 Malheiro Dias until 1933, succeeded by Antonio Accioly Netto.[5]

    O Cruzeiro was

    leading Brazilian illustrated magazine in the first half of 🌛 the 20th century. Since its

    inception it established a new language in the Brazilian press: graphic innovations,

    publishing great articles, 🌛 with emphasis on photojournalism.[6] It strengthened the

    partnership with reporter-photographer duos, the most famous being formed by David

    Nasser and 🌛 Jean Manzon who in the 1940s and 1950s, produced stories of great impact.[7]

    The magazine made it clear in its 🌛 first editorial that it differed from its "older

    sisters who were born from the debris of Colonial Rio", putting itself 🌛 at the forefront

    of modernity combining its name to modern technology: "O Cruzeiro will find in its

    birth the skyscraper, 🌛 the radio, and the air mail ".[8][9]

    In 1941, O Cruzeiro also

    became the name of the publishing house of the 🌛 Diários Associados group.[10]

    Among its

    many subjects, the magazine O Cruzeiro told facts about the lives of stars, cinema,

    sports and 🌛 health. It also had sections of cartoons, politics, cooking and

    fashion.

    Covering the suicide of Getúlio Vargas in August 1954, the 🌛 magazine

    circulation reached 720,000 copies. Until then, the maximum reached was the mark of

    80,000 copies. Thereafter, the number remained. 🌛 In the 1960s, O Cruzeiro declined. This

    was also caused by the emergence of new publications such as Manchete and 🌛 Fatos &

    Fotos. The end of the empire of Chateaubriand's Diários Associados caused a hiatus

    between mid 1975, and September 🌛 1977, when o Cruzeiro returned under the leadership of

    Joaquim José Freire Lagreca.

    Collaborators [ edit ]

    Some of the most notable

    🌛 collaborators to the magazine were:[5][11]

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