Joan Wasser lança seu 12º álbum com músicas inéditas após seis anos
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t's been six years since BR multi-instrumentalist Joan 💶 Wasser released Damned Devotion, her last album of new material. There have been stopgaps along the way – 2024's playful 💶 Cover Two, featuring reworkings of songs by the likes of Prince and the Strokes, and a live album – but 💶 Wasser seemed to be playing for time. On this 12th album, she finally releases all that pent-up emotion, picking at 💶 love and loss in stripped back, nocturnal songs that calmly ebb and flow.
Eschewing the pop-leaning, retro-soul of 2014's The Classic 💶 and Damned Devotion's lurches into funk, here Wasser focuses on live instrumentation and her versatile voice. On the lilting Full-Time 💶 Heist she slinks softly around a simple click beat and piano trills, while on the undulating highlight, Oh Joan, her 💶 high-wire falsetto slowly gives way to the sighed, repeated title of the chorus.
While the textures are often smooth, there are 💶 occasional ripples: The Dream, built around a loop of Wasser's sighs, is eerily off-kilter, and Back Again flirts with R&B 💶 grooves. Overall, however, Wasser is happiest when delicately pondering life's elemental truths, like a torch singer just about holding on.
Mudança 💶 de estilo casino 777 bônus seu novo álbum
Neste novo álbum, Joan Wasser abandona o pop e o retro-soul presentes casino 777 bônus álbuns anteriores, 💶 como The Classic e Damned Devotion. Agora, ela se concentra casino 777 bônus instrumentação ao vivo e casino 777 bônuscasino 777 bônusvoz versátil. A 💶 maioria das músicas tem um tom suave, mas algumas apresentam ondulações, como no caso de "The Dream", que é construída 💶 casino 777 bônus torno de um loop de suspiros de Wasser, e "Back Again", que flerta com grooves de R&B.
